˖° 2026 聲徜音樂節：Wandering °˖
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浩聲瀚樂
Vast Sonorities
楊祖垚、幽法、林梅芳、郭立威、王福瑞
YANG Tsu-Yao, ufa, LIN Mei-Fang, William KUO, Fujui Wang
✦ 演出時間 Time：
9/26 SAT 14:00-17:30
9/27 SUN 15:00-19:30
🎬播映時刻表：敬請期待！Programme Schedule: Coming Soon!
✦ 地點 Venue｜空總國家文化基地 Kong Zong Cultural Base
（臺北市大安區建國南路一段177號｜No. 177, Sec. 1, Jianguo S. Rd., Da'an Dist., Taipei City 106, Taiwan (R.O.C.)）
📍C-LAB 穹頂劇場（東草坪）｜FVL DOME（East Lawn）
🎫 免費入場 Free admission 🙋
● 採現場排隊依序入場，場內人數額滿為止
● 場內人數上限為100人，若額滿請等候場內觀眾離場後，依現場人數管制進場
● Entry will be granted in order of on-site queue until capacity is reached.
● The maximum capacity is 100 people. If the venue is full, please wait for audiences exiting before entering according to the capacity control.
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本節目精選C-LAB臺灣聲響實驗室歷年電聲作品，包含多位當代音樂作曲家、音樂團體的立體音樂聲響作品：林梅芳《聲響日誌》與郭立威《現聲態》。《聲響日誌》是一系列記載著作曲家對聲音的印象、聯想、幻想、甚至於狂想的電聲作品，探討聲響與聲響之間的關係，以及聲音與光線、速度、重量之間的關係；《現聲態》對人工合成、自然原生狀態與動態變幻進行探索，透過電聲、反覆的節奏以及人聲採樣，作品將聽眾帶入虛擬維度的聲響世界。
來自台東的幽法《自然的脈動》，在Ambisonic技術的探索下，呈現探討人與自然的關係，引領觀眾進入自我與現實存在之間的深度對話；楊祖垚《主題標籤後記》著重探討記憶的再拼湊，當諸多的片段記憶集合體重新排列組合時，往日回憶便在大腦中重新獨立塑形；C-LAB臺灣聲響實驗室與王福瑞共製作品《悸動響2.0》，透過聲音立體空間化設計，聽覺與視覺同步激刺著感官神經，作品最初為VR版本，本次特別為穹頂劇場重新進行聲音設計及燈光、影像設計製作。
本次音樂會特別將作品移師至C-LAB穹頂劇場，為25.4聲道場域重新規劃製作，並邀請燈光設計林翰生與影像媒體藝術家葉澈全新打造創作光影，重製詮釋這些精彩電聲佳作，為觀眾帶來全新沉浸式視聽饗宴。
This program presents a selection of electroacoustic works developed over the years by C-LAB Taiwan Sound Lab, including spatial sound works by contemporary composers and music groups: LIN Mei-Fang’s Sound Log and William KUO’s Tsynth pulse voice. Sound Log is a series of electroacoustic works documenting the composer’s impressions, associations, fantasies and even flights of imagination inspired by sound. The series explores relationships among sounds, as well as those between sound and light, speed and weight. synth pulse voice explores artificial synthesis, natural states and dynamic transformation. Through electronic sound, repetitive rhythms and sampled voices, the work draws listeners into a sonic world of virtual dimensions.
Nature’s Pulse, by Taitung-based artist ufa, explores the relationship between human and nature through Ambisonic technology, leading audiences into a deep dialogue between the self and existence in the real world. YANG Tsu-Yao’s Après Hashtag focuses on the reconstruction of memory: as collections of fragmented memories are rearranged and recombined, recollections of the past take on new, independent forms in the mind. Throbbing Sonic 2.0, co-produced by C-LAB Taiwan Sound Lab and Fujui WANG, uses spatial sound design to stimulate the senses through synchronised auditory and visual experiences. Originally created as a VR work, it has been specially redesigned for this presentation in the dome, with new sound, lighting and visual design.
For this concert, the works are presented in C-LAB’s dome theater and have been specially reconfigured for its 25.4-channel sound system. Lighting designer LIN Han-Sheng and visual media artist YEH Che have also been invited to create new lighting and visual elements, reinterpreting these electroacoustic works through a newly conceived audiovisual environment and offering audiences an immersive audiovisual experience.
播映作品（依播映順序）：
Screenings (in order of presentation):
楊祖垚《主題標籤後記》
YANG Tsu-Yao: Après Hashtag
幽法《自然的脈動》
ufa: Nature's Pulse
林梅芳《聲響日誌》
LIN Mei-Fang: Sound Log
郭立威《現聲態》
William KUO: synth pulse voice
王福瑞《悸動響2.0》
Fujui WANG: Throbbing Sonic 2.0
創製團隊 Creation & Production Team
C-LAB臺灣聲響實驗室 C-LAB Taiwan Sound Lab
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✦2026 聲徜音樂節：Wandering✦
主辦單位｜臺灣當代文化實驗場 C-LAB
執行單位｜C-LAB 臺灣聲響實驗室
策展團隊｜C-LAB 臺灣聲響實驗室、法國聲響與音樂研究統合中心
補助單位｜文化部
Organizer｜Taiwan Contemporary Culture Lab (C-LAB)
Produced by｜C-LAB Taiwan Sound Lab
Curatorial Team｜C-LAB Taiwan Sound Lab, Institute for Research and Coordination in Acoustic/Music (IRCAM)
Funded by｜Ministry of Culture, Republic of China (Taiwan)
晴 空 季 SKYWARD 2026
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持續關注音樂節最新消息：
📌 臺灣當代文化實驗場｜2026 聲徜音樂節｜官方網站
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📌 晴空季 SKYWARD 官方網站
