💫2025 C-LAB 聲響藝術節：《感同聲授》- 國立臺灣師範大學音樂學系
Echoes of Understanding - Department of Music, National Taiwan Normal University💫
本次音樂節校際合作邀請國立臺灣師範大學音樂系學生，以11首全新電子音樂創作邀請觀眾進入聲音與影像的交互對話。
《軌道II》將植物擬人化，並為其構造一個虛構的人工語言，試圖重新定位植物，表現對於大自然的崇拜。《祈澤》發想自語言與文化各異世間眾生皆以祈聲敬神的敬畏之心。《We are sick》是一段由聲音與影像交織而成的身體演出，探討當代人類的心理困境。《Between Rooms》將二胡的演奏手部動作對應至影像語彙，在聲音與畫面的連結中，形構出一種時間與空間的視覺語法。《Untitled》由電聲與器樂製造豐富混雜的聲響。《Skin, Flesh and Bones》嘗試凸顯由人類聽覺、觸覺與身體知覺的共感知覺系統，由皮至骨挖掘並擴放埋藏身體之下的聲響。
《Sculpting》使用聲音與光展現雕塑中堆疊、削減、形塑的過程。《數位.錯位》以電聲、影像與燈光將觀者置身於一個動態的感知場域中，面對無法預測的內容流動與時空錯亂，重新思考「理解」與「連結」的可能形式。《Echo of Light》結合聲音、光線與感知，探討「被理解」與「被聆聽」的渴望。《彌留星辰未盡之光》透過專注於音樂中的節奏呈現，來思索關於時間的非線性面向，以及片刻與永恆的關係。《腔體》由聲響素材模擬樂器內部的聲音與身體性的聲音經驗，經由變形與空間處理，模擬一種從腔體內部聆聽世界的感官狀態。
For 2025 C-LAB Art Festival’s "Academy" section, students from the Department of Music at National Taiwan Normal University were invited to create 11 new electronic music works, inviting the audience into an interactive dialogue between sound and image.
Orbit II anthropomorphizes plants to construct a fictional artificial language for them, attempting to reposition them and worship nature.
Echoes of Worship draws inspiration from the reverence with which all beings, regardless of language and culture differences, worship gods through prayer.
We are sick is a body performance interwoven with sound and image, exploring the psychological predicament of contemporary humanity.
Between Rooms maps the hand movements of an erhu player to visual vocabulary, constructing a visual grammar of time and space through connections between sound and image.
Untitled creates a rich and complex soundscape composed of electronic and instrumental music.
Skin, Flesh and Bones foregrounds the synesthetic system of human hearing, touch, and bodily perception, excavating and amplifying the sounds buried beneath the body, from skin to bone.
Sculpting deploys sound and light to depict the processes of stacking, cutting, and shaping in sculpturing.
In Digital Dislocation, the viewer is immersed in a dynamic perceptual field through electronic sound, image, and light, re-conceiving possible forms of "understanding" and "connection” in the face of unpredictable flows of content and the dislocation of time and space.
Echo of Light combines sound, light, and perception to explore the longing to be understood and heard.
Echoes of the Dying Stars focuses on the rhythmic presentation of music, reflecting on the nonlinear aspects of time and the relationship between the moment and eternity.
Within the Cavity uses acoustic materials to simulate the sound and bodily experience in an instrument's interior; through distortion and spatial manipulation, it emulates the sensory state of hearing the world from within.
📅演出日期/時間：2025.11.21 (五) 19:30
⏰演出長度：節目全長約70分鐘
📍演出地點：臺灣當代文化實驗場 臺灣聲響實驗室立體聲場
🎶 創作/製作/演出團隊
製作統籌｜林芝良、黃苓瑄
作曲團隊｜江信彥、宋承諺、林志宏、林莉穎、林駿甫、吳思瀚、張沄真、張庭芳、梁嘉騏、章克澍、謝青晏
演出團隊｜江信彥、梁嘉騏、夏予欣
作品名稱：《軌道II》 Orbit II
創作者｜江信彥 Composer｜CHIANG Hsin-yen
演出人員：
表演者｜江信彥 Performer｜CHIANG Hsin-yen
作品名稱：《祈澤》Echoes of Worship
創作者｜宋承諺 Composer｜SUNG Chen-yen
作品名稱：《We are sick》
創作者｜林志宏 Composer｜LIN Zhi-hong
作品名稱：《Between Rooms》
創作者｜林莉穎 Composer｜LIN Li-ying
作品名稱：《Untitled》
創作者｜林駿甫 Composer｜LIN Chun-fu
作品名稱：《Skin, Flesh and Bones》
創作者｜吳思翰 Composer｜Wu Szu-Han
作品名稱：《Sculpting》
創作者｜張沄真 Composer｜CHANG Yun-chen
作品名稱：《數位.錯位》Digital Dislocation
創作者｜張庭芳 Composer｜ZHANG Ting-fang
作品名稱：《Echo of Light》
創作者｜梁嘉騏 Composer｜LEONG Kah-khei
演出人員：
表演者｜梁嘉騏、夏予欣 Performer | LEONG Kah-khei, Ha Yi-xin
作品名稱：《彌留星辰未盡之光》Echoes of the Dying Stars
創作者｜章克澍 Composer｜Joseph CHANG
作品名稱：《腔體》Within the Cavity
創作者｜謝青晏 Composer｜HSIEH Ching-yen
主辦單位｜臺灣當代文化實驗場 C-LAB
協辦單位｜國立臺灣師範大學音樂學系 Department of Music, National Taiwan Normal University
-----
[小提醒] 沒能報名到的朋友也不用擔心，可點選報名頁面的「名額釋出通知我」並下載APP，名額釋出時會在APP收到候補通知！或可以當天提早來現場排隊候補！
持續關注藝術節最新消息：
